‘‘ Si se va dejalá que se vaya’’

by

Cándido Fabré

Candido Fabre's format is known as cha cha cha involving string instruments, particularly violins. Candido Fabre's band is an effective salsa-son formation, one of the best that Cuba has produced in the last few years. Candido Fabre's format is known as cha cha cha involving string instruments, particularly violins. In this song they demonstrate their performance composition and performing Si se va dejalá que se vaya - If she wants to leave, let her is about a relationship where the woman wants to leave and the advice given is let her leave.

Si se va dejalá que se vaya GBBFT9800075 1998

Cándido Fabré
Cándido Fabré

Poquito Poco

Candido Fabre's format is known as cha cha cha involving string instruments, particularly violins. Candido Fabre's band is an effective salsa-son formation, one of the best that Cuba has produced in the last few years. Candido Fabre's format is known as cha cha cha involving string instruments, particularly violins. In this song they demonstrate their performance composition and performing Si se va dejalá que se vaya If she wants to leave, let her is about a relationship where the woman wants to leave and the advice given is let her leave.

VOICE 1: When I get home there's always a problem, I don't know what's wrong with her, she says she's leaving, she doesn't talk about anything else, always the same thing, I don't have a minute of peace. VOICE 2: Friend, if she wants to leave, let her go, don't stop her, she won't have to regret it, every cloud has a silver lining. CHORUS: Let her go, let her go, let her go, let her go, let her go, let her go, let her go. VOICE 1: I, I don't know what I'm going to do, I'm dying inside, nobody knows what I feel because of that woman. VOICE 2: I also suffered that pain because of a beautiful woman, nothing lasts forever, nor can any body withstand it. CHORUS: Let her go, let her go, let her go, let her go, let her go, let her go, let her go. CHORUS: Let her go, let her go, let her go. VOICE 1: Oh, wow. CHORUS: Let her go. VOICE 1: But look, find yourself another dark-skinned girl, Guancho, you'll see she won't let you down. CHORUS: Let her go, let her go, let her go, let her go. VOICE 1: Every morning she says she's leaving, if she goes, another one will come. CHORUS: Let her go, let her go, let her go, let her go. VOICE 1: Let her go to the movies, let her go to the beach. CHORUS: Let her go, let her go, let her go, let her go. VOICE 1: But let her keep walking, let's go to the mambo, Chango. CHORUS: Let her go. VOICE 1: Oh, wow, let's go for a walk now. CHORUS: If she left, what am I going to do? Goodbye, have a good trip. VOICE 1: Have a good trip, have a good trip, another one will come back to me. CHORUS: If she left, what can I do? Goodbye, have a good trip. VOICE 1: If the girl says she doesn't love me, I don't cry over women. CHORUS: If she left, what can I do? Goodbye, have a good trip. VOICE 1: And everyone knows that, I still support her, I have more than a hundred. CHORUS: If she left, what can I do? Goodbye, have a good trip. VOICE 1: And let her keep walking, tomorrow she'll come crying, and Chango. CHORUS: Goodbye, have a good trip. Goodbye, have a good trip. VOICE 1: Let her run, she'll fall all by herself. Oh, mama, what a mess today. What happened? CHORUS: Let her go. (…)

VOZ 1: Cuando llego a casa siempre hay un problema,
no sé qué le pasa dice que se va,
no habla de otra cosa, siempre el mismo tema,
no tengo un minuto de tranquilidad.

VOZ 2: Amigo si quiere irse, déjala no la detengas,
no tendrá que arrepentirse,
no hay mal que por bien no venga.

CORO: Déjala, déjala, déjala,
déjala que se vaya,
déjala, déjala, déjala,
déjala que se vaya.

VOZ 1: Yo, yo no sé qué voy a hacer,
me estoy muriendo por dentro,
nadie sabe lo que siento
por culpa de esa mujer.

VOZ 2: Yo también sufrí ese daño
por una mujer bonita,
no hay mal que dure cien años,
ni cuerpo que lo resista.

CORO: Déjala, déjala, déjala,
déjala que se vaya,
déjala, déjala, déjala,
déjala que se vaya.

CORO: Déjala, déjala, déjala.
VOZ 1: Ah, caray
CORO: Déjala que se vaya
VOZ 1: Pero que mira, búscate otra morenita, Guancho,
tú verás que no te falla.
CORO: Déjala, déjala, déjala,
déjala que se vaya.

VOZ 1: Todas las mañanas dice que se va,
si ella se marcha otra volverá.
CORO: Déjala, déjala, déjala,
déjala que se vaya.

VOZ 1: Que se vaya para el cine,
que se vaya para la playa.
CORO: Déjala, déjala, déjala,
déjala que se vaya.

VOZ 1: Pero que déjala que siga andando,
vámonos para el mambo, Chango.

CORO: Déjala que se vaya.

VOZ 1: Ah, caray,
Vamos a caminar ahora.

CORO: Si se fue,
¿qué le voy a hacer? Adiós,
que le vaya bien.

VOZ 1: Que le vaya bien, que le vaya bien,
otra
a mí va a volver.
CORO: Si se fue,
¿qué le voy a hacer? Adiós,
que le vaya bien.

VOZ 1: Si la niña dice que no me quiere,
yo no lloro por mujeres.

CORO: Si se fue,
¿qué le voy a hacer? Adiós,
que le vaya bien.

VOZ 1: Y eso lo sabe la gente,
si como quiera la mantengo,
si yo tengo más de cien.

CORO: Si se fue,
¿qué le voy a hacer? Adiós,
que le vaya bien.

VOZ 1: Y déjala que siga andando,
mañana viene llorando,
y Chango.

CORO: Adiós, que le vaya bien.
Adiós, que le vaya bien.

VOZ 1: Déjala que corra,
que ella solita se cae.

Ay, mamá,
tumbadera hoy.

¿Qué pasó?
CORO: Déjala que se vaya.
(…)

Son , Latin

Bongos/Congas , Double Bass , Flute , Guiro , Keyboard , Pailas , Piano , Tres , Violin , Vocals

Spanish

Tumi Music (Editorial) Ltd

Cuba

Love

Fast

Group

World

Male

‘‘ Si se va dejalá que se vaya’’

by

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