‘‘ ¿ Y lo Tuyo Qué ?’’

VOICE 1: Every time I see you, I try to be with you, always rejecting me in your own way, but I don't understand it. You don't let me express myself, you complicate things for no reason. CHORUS: And what about you? You leave me waiting, and I wonder, until when? I need a deal, and no, I don't need a contract. VOICE 1: Let's not set conditions, it's a matter of pleasing each other, it's the moment. CHORUS: Give yourself to me. CHORUS: And what about you? Why are you thinking about it? VOICE 1: Tell me what's not good for you. CHORUS: But tell me what's stopping you. VOICE 1: So you can be with me. Look, this whole thing is killing me, I'm begging you. VOICE 1: Hey, CHORUS: And what about you? VOICE 1: And what about you? And what about you? When are you going to give it to me? CHORUS: And what about you? VOICE 1: I'm just unhappy about being kept waiting so long. CHORUS: What about you? VOICE 1: When I needed your love the most, you didn't come. CHORUS: What about you? VOICE 1: You were late and left me suffering. CHORUS: What about you? VOICE 1: Mambo, with the trombones of salsa. It says "Chupado." Let it go, baby. CHORUS: Let it go now, don't get me worked up anymore, that's enough. VOICE 1: Don't get me worked up, my girl, don't get me worked up anymore, you'll see. CHORUS: Let it go now. VOICE 1: Hey, mama. CHORUS: Don't get me worked up anymore, that's enough. VOICE 1: What happened to me with you, won't happen with anyone else, you'll see. CHORUS: Let it go now. VOICE 1: Hey. CHORUS: Don't get me worked up anymore, that's enough. VOICE 1: Love, tenderness, and passion, that and much more, you'll give me. CHORUS: Let it go already, VOICE 1: Tell me. CHORUS: Don't tease me anymore, that's enough. VOICE 1: I'm leaving walking. CHORUS: Don't tease me. VOICE 1: Hey. I'm leaving dancing. CHORUS: Don't tease me. VOICE 1: With Dan Den from Havana, look. CHORUS: Don't tease me. VOICE 1: Girl, let me kiss your mind. CHORUS: Don't tease me. VOICE 1: So you'll remember me, baby. CHORUS: Hey, don't tease me. VOICE 1: Dan Den. CHORUS: Don't tease me. (…)

VOZ 1: Cada vez que te veo
trato de estar contigo,
siempre rechazándome a tu modo,
pero yo no lo entiendo,
no dejas expresarme,
te complicas
sin ninguna razón.

CORO: ¿Y lo tuyo qué?,
me dejas esperando y yo
me pregunto ¿hasta cuándo?
Es que necesito un trato y no,
no preciso un contrato.

VOZ 1: No pongamos condiciones,
es cuestión de complacernos,
es el momento.
CORO: Entrégate.

CORO: ¿Y lo tuyo qué?,
¿Por qué lo estás pensando?

VOZ 1: Dime qué cosa no te conviene.
CORO: Pero dime qué te detiene.
VOZ 1: Para que puedas estar conmigo,
mira que esta historia me está matando,
te lo estoy suplicando.

VOZ 1: Oye,
CORO: ¿Y lo tuyo qué?
VOZ 1: ¿Y lo tuyo qué? ¿Y lo tuyo qué?
¿Cuándo me lo vas a dar?
CORO: ¿Y lo tuyo qué?
VOZ 1: Es que yo estoy descontento
de hacerme tanto esperar.
CORO: ¿Y lo tuyo qué?
VOZ 1: Cuando más necesitaba de tu amor, tú no llegaste.
CORO: ¿Y lo tuyo qué?
VOZ 1: Te demoraste y me dejaste
sufriendo
CORO: ¿Y lo tuyo qué?

VOZ 1: Mambo,
con los trombones de la salsa.
Dice Chupado.

Suéltalo, mami

CORO: Suéltalo ya,
no me lo calientes más,
está bueno ya.

VOZ 1: No me calientes, mi china,
no me lo calientes más, ya tú verás.

CORO: Suéltalo ya,
VOZ 1: Oye, mamá
CORO: No me lo calientes más,
está bueno ya.

VOZ 1: Lo que me pasó contigo,
con otra no va a pasar, ya verás.

CORO: Suéltalo ya,
VOZ 1: Oye
CORO: No me lo calientes más,
está bueno ya.

VOZ 1: Cariño, ternura y pasión,
eso y muchas cosas más, tú me darás.

CORO: Suéltalo ya,
VOZ 1: Dime.
CORO: No me lo calientes más,
está bueno ya.

VOZ 1: Que yo me voy caminando
CORO: No me lo calientes.
VOZ 1: Oye.
Que yo me voy guarachando
CORO: No me lo calientes.
VOZ 1: Con el Dan Den de La Habana, mira.
CORO: No me lo calientes,
VOZ 1: Niña,
déjame besar tu mente.
CORO: No me lo calientes.
VOZ 1: Para que me tengas presente, mami.
CORO: Eh,
no me lo calientes.
VOZ 1: Dan Den.
CORO: No me lo calientes.
(…)